Hoos’ List

Introduction to speaking, understanding, reading, and writing Italian. Five class hours and one language laboratory hour. Followed by ITAL 1020.

This intensive course begins with instruction in basic oral expression, listening comprehension, elementary reading and writing, and continues with further development of these four skills at the intermediate level. Part of the Summer Language Institute.

Continuation of ITAL 1010. Prerequisite: ITAL 1010.

This intensive course begins with instruction in basic oral expression, listening comprehension, elementary reading and writing, and continues with further development of these four skills at the intermediate level. Part of the Summer Language Institute. Prerequisites: ITAL 1016 or equavalent.

This is the non-credit option for ITAL 1016.

This is the non-credit option for ITAL 1026.

Continued grammar, conversation, composition, readings, and an introduction to Italian literature. Prerequisite: ITAL 1020 or the equivalent. Note: The following courses have the prerequisite ITAL 2010, 2020, or permission of the department.

This intensive course begins with instruction in intermediate level oral expression, listening comprehension, reading and writing, and continues with further development of these four skills. Part of the Summer Language Institute. Prerequisites: ITAL 1016 & 1026 or equivalent.

Continuation of ITAL 2010.

This intensive course begins with instruction in intermediate level oral expression, listening comprehension, reading and writing, and continues with further development of these four skills. Part of the Summer Language Institute. Prerequisite: ITAL 1016 , 1026 and 2016 or equivalent.

This is the fourth class in the four-course sequence that fulfills the language requirement with modules on issues applicable to the work context. Films, TV series and articles from Italian newspapers will help students to learn more about the Italian society of the new millennium and strengthen their listening, speaking, reading and writing skills at a high intermediate level appropriate for an intercultural professional environment.

This is the non-credit option for ITAL 2016.

This is the non-credit option for ITAL 2026.

Includes idiomatic Italian conversation and composition, anthological readings of literary texts in Italian, plus a variety of oral exercises including presentations, skits, and debates. Italian composition is emphasized through writing assignments and selective review of the fine points of grammar and syntax. Prerequisite: ITAL 2020.

Emphasis is placed on conversation, as well as composition and vocabulary. Students attending this class will deepen their knowledge of Italian culture and society, with a special focus on socio-cultural debates concerning politics, migration and gender issues. This course is designed with a series of activities focused on experiential learning to achieve fluency in Italian through real-life situations. Prerequisite: ITAL2020.

Introduction to relevant Italian medieval and renaissance literary works. Prerequisites: ITAL 2020

In this course, we will explore how major works of literature for children, from Collodi's The Adventures of Pinocchio, to the poetry of Gianni Rodari, reflect changing views of childhood and parenting in Italy. Students will learn how children's literature of the 19th-century helped to create an Italian national identity. We will also examine how new media inventions changed story time for children in Italy. Prerequisite: ITAL 3010

This course provides the opportunity to offer new topics in the subject of Italian.

Novella (Italian Short Narrative)

This course provides the opportunity to offer new topics in the subject of Italian.

The Colloquium allows DMPs in Italian Studies to meet regularly with the DMP coordinator to discuss research strategies, documentation styles, and structure and style in extended expository writing as they are working independently on a thesis. It also provides a forum for presenting and discussing work-in-progress. Prerequisite: Acceptance in DMP.

Distinguished majors in Italian Studies will meet individually with their thesis advisors to discuss progress and revise drafts of their theses. At the end of the semester, they will present the results of their research in a public forum.

Independent Study

Focuses on masterpieces of Florence's three luminaries: Dante's Commedia, Boccaccio's Decameron, and Petrarch's Rime sparse and the critical traditions surrounding these works. Prerequisite: permission of instructor if student does not know Italian

A thorough survey of Humanistic culture and literature; Petrarchism; Machiavelli and surroundings; and the birth of epic (Ariosto and Tasso).

This course provides the opportunity to offer new topics with the subject of Italian.

Studies Manierismo in poetry and prose; the birth of Italian theater; and major authors of the Enlightenment (Parini and Alfieri).

This graduate course discusses texts belonging to the Italian Avan-garde and Modernist periods. Prerequisites: Reading knowledge of Italian.

This course provides graduate students teaching foreign languages at UVA with the opportunity to observe and apply new ideas and teaching principles through practical activities and to develop their own personal theories of teaching through systematic reflection and experimentation.

This course is a monographic study of Ludovico Ariosto's masterpiece, Orlando furioso. Will read this epic-chivalric poem, place it in the cultural context of the Italian Renaissance and discuss the major critical issues it continues to pose. Prerequisite: knowledge of Italian

This course provides the opportunity to offer new topics with the subject of Italian.

Required of all teaching assistants; not part of the curricular credit requirement for the M.A. in Italian.

Close reading of Dante's masterpiece, The Inferno. Lectures focus on Dante's social, political, and cultural world. Incorporates The World of Dante: A Hypermedia Archive for the Study of the Inferno, and a pedagogical and research website (www.iath.virginia/dante), that offers a wide range of visual material related to The Inferno.

This course uses the medium of film to discuss the developments in Italian culture and history over a period of one hundred years, from 1860 to 1960.

Michelangelo's name conjures genius and a nearly superhuman achievement in the arts. Contemporaries elevated him as the supreme sculptor, painter, and architect of his age. This course examines Michelangelo's creativity in all these media as well as his poetry and letters. The course investigates the extraordinary achievements of this Renaissance luminary through close analysis of his works, secondary studies, and contemporary reinventions.

This course provides the opportunity to offer new topics with the subject of Italian in Translation.

This course focuses on the literary and cultural traditions that inform treatments of art and artists in the Italian Middle Ages and Renaissance.

Students of this course will study the political theories of Dante, Machiavelli, Beccaria, and Gramsci through a close-reading of each author's major works. We will also examine how their ideas influenced contemporary politics, literature, and the visual arts both in Italy and in the United States. These goals will be accomplished through regular reading assignments, short essays, and presentations.

Following the unification of Italy in 1861, immigrants from that nation began coming to the USA in record numbers. While they arrived in search of better lives, they often faced many challenges. Through it all, their experiences have been documented on film. In this course, we will explore these cinematic representations of Italian Americana.

This course explores how Italian women writers have represented food in their short stories, novels and autobiographies in dialogue with the culture and society from late nineteenth century to the present. These lectures will offer a close reading of the symbolic meaning of food in narrative and the way it intersects with Italian women's socio-cultural history, addressing issues of gender, identity and politics of the body.

This course considers representations of sex, gender and racial identities in Italian films, television, advertisements and other forms of visual culture. With a focus on the contemporary Italian context, students will explore issues of intersectionality from a global perspective. What can Italian critically acclaimed and more mainstream works tell us about diversity and inclusion in the worldwide context?

Organized crime has long fascinated filmmakers from both Italy and the USA. But, how does each country portray this phenomenon and its effects on law, politics, and the individual? What socio-cultural and historical factors explain the different presentations? In this course, we will examine these questions through discussion and analysis of films from Italy and the United States, primary source documents, and novels.

Throughout its storied history, Italian cinema has been most famous for its realism, which reached the height of its influence internationally with the neorealist classics of the mid-twentieth century. However, during the 1950s, filmmakers from the boot-shaped nation began experimenting with fantastical genres, such as horror, science fiction, and fairytale. In this course, we will explore these works and their relationship to media culture. This course will satisfy requirements for either the Italian major or minor.

What does it mean to come of age? How has Italian cinema captured this process throughout its history? How do Italian films about this topic approach some of its more complex and controversial aspects? As the cinema has evolved both culturally and technologically, how has the genre changed? This course will explore these questions by studying how psychologists define the stages of child and adolescent development & how Italian films depict them.

Treats Italian comedy from historic, generic, and theoretical viewpoints; divided into 4 units: 1) medieval comic-realist verse (poetry and song), 2) Renaissance comic theater, including plays by Machiavelli, Ariosto and the Sienese Intronati Academy, 3) the commedia all'italiana film, focusing on cinema by Germi and Monicelli, and 4) modern comic performances by Italians. Special units on Tuscan- and Neapolitan-style humor. Taught in English.

Watch, read, and laugh at performances by Italy's most famous comic stars! Plays, films, and one-man shows form the texts, which include not only modern productions by contemporary masters Roberto Benigni and Dario Fo, but also the comedies of the originator of middle-class Italian humor, Carlo Goldoni. Works of these writers/actors/producers introduce important aspects of Italian literary, performative, and cultural traditions. In ENGLISH.

Dante's Inferno has captivated the imagination of artists as diverse as Botticelli, Milton, Keats, and David Fincher. Artists, writers and filmmakers re-imagine Dante for their own purposes. This course will explore reinventions of Dante's Inferno, the most enduring vision of the afterlife that has ever been created.

This course focuses on the potential narratives have to convey messages that are relevant to our ethical and environmental awareness, and to help us imagine alternatives to existing systems of knowledge and distributions of power. We shall learn about the origins and general objectives of ecocriticism, its relevant theories and methodologies, and various approaches to the notion of sustainability.

This course provides the opportunity to offer new topics in the subject of Italian in Translation.

Course will investigate marriage as represented on the early modern European stage. Italian, Spanish, French and English plays comprise our subject matter. We'll consider the legal, social, and cultural history of matrimony to background our study of the stageworks; we will analyze scripts and performances to learn how dramatic and theatrical convention intersected w/ marital institution and negotiations, onstage and off. Taught in English.

This course examines the cultural and socio-political transformations that took place in Italy during its recent history. By discussing different cultural artifacts (films, essays, literature), we shall ultimately try to answer the following questions : does Italy still have space for works that resist populist and consumer culture? What are the ethical and political consequences of Italy's present culutral condition? Is there an Italian identity?

Independent study in special field under the direction of a faculty member in Italian.

This course explores canto-by-canto Dante's second realm of the Afterlife. Particular attention will be paid to how various themes and motifs (the phenomenology of love, the relationship between church and state, status of classical antiquity in a Christian universe, Dante's representation of the saved), differ from those explored in the Inferno. Prerequisite: ITTR 2260 or permission of instructor.

This course focuses on the potential narratives have to convey messages that are relevant to our ethical and environmental awareness, and to help us imagine alternatives to existing systems of knowledge and distributions of power. We shall learn about the origins and general objectives of ecocriticism, its relevant theories and methodologies, and various approaches to the notion of sustainability.

This course provides the opportunity to offer new topics with the subject of Italian in Translation.

Seminar examines the ways dramatic literature and theater from roughly 1500-1800 engaged the institution of marriage. Study of plays, operas and other literary and stage genres from several national traditions (Italian, Spanish, potentially French and English), looking at their mediations of the tumultuous evolution of early modern family formation, in light of legal, social, and cultural history of matrimony.

This course provides the opportunity to offer new topics with the subject of Italian in Translation.